Publication date1922Media typePrint (hardback & paperback)Pages291 (45th printing)(45th printing)Sitti Nurbaya: Kasih Tak Sampai ( Sitti Nurbaya: Unrealized Love, often abbreviated Sitti Nurbaya or Siti Nurbaya; original spelling Sitti Noerbaja) is an. It was published by, the state-owned publisher and literary bureau of the, in 1922. The author was influenced by the cultures of the west Sumatran and the Dutch colonials, who had controlled Indonesia in various forms since the 17th century. Another influence may have been a negative experience within the author's family; after he had chosen a woman to be his wife, Rusli's family brought him back to and forced him to marry a Minangkabau woman chosen for him.Sitti Nurbaya tells the story of two teenage lovers, Samsulbahri and Sitti Nurbaya, who wish to be together but are separated after Samsulbahri is forced to go to.
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Not long afterwards, Nurbaya unhappily offers herself to marry the abusive and rich Datuk Meringgih as a way for her father to escape debt; she is later killed by Meringgih. It ends with Samsulbahri, then a member of the, killing Datuk Meringgih during an uprising and then dying from his wounds.Written in formal and including traditional Minangkabau storytelling techniques such as, Sitti Nurbaya touches on the themes of,. Well-received upon publication, Sitti Nurbaya continues to be taught in Indonesian high schools. It has been compared to and the. Contents.Writing Sitti Nurbaya was written by, a Dutch-educated from a noble background with a degree in.
His Dutch education led him to become. He abandoned some Minangkabau traditions, but not his view of the subordinate role of women in society. Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her.In in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sutan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends. They begin to fall in love, but they are only able to admit it after Samsu tells Nurbaya that he will be going to Batavia to study. After spending the afternoon at a nearby hillside, Samsu and Nurbaya kiss on her front porch.
When they are caught by Nurbaya's father and the neighbours, Samsu is chased out of Padang and goes to Batavia.Meanwhile, Datuk Meringgih, jealous of Sulaiman's wealth and worried about the business competition, plans to bankrupt him. Meringgih's men destroy Sulaiman's holdings, driving him to bankruptcy and forcing him to borrow money from Meringgih.
When Meringgih tries to collect, Nurbaya offers to become his wife if he will forgive her father's debt; Datuk Meringgih accepts.Writing to Samsu, Nurbaya tells him that they can never be together. However, after surviving Meringgih's increasingly violent outbursts, she runs away to Batavia to be with Samsu.
They fall in love again. Upon receiving a letter regarding her father's death, Nurbaya hurries back to Padang, where she dies after unwittingly eating a cake poisoned by Meringgih's men on his orders. Receiving news of her death by letter, Samsu seemingly commits suicide.Ten years later, Meringgih leads an uprising against the to protest a recent tax increase. During the uprising, Samsu (now a soldier for the Dutch) meets Meringgih and kills him, but is mortally wounded himself. After meeting with his father and asking for forgiveness, he dies and is buried next to Nurbaya.Characters. Padang Panjang is surrounded by hills,the hills surrounded by teak trees,Love and care, not just a bitfrom the mouth to the heart.Its main messages are presented through debates between characters with a moral dichotomy, to show alternatives to the author's position and 'thereby present a reasoned case for its validation'.
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However, the 'correct' (author's) point of view is indicated by the social and moral standing of the character presenting the argument. Themes Sitti Nurbaya is generally seen as having an anti- theme or illustrating the conflict between Eastern and Western values. It has also been described as 'a monument to the struggle of forward-thinking youth' against Minangkabau adat.However, Balfas writes that it is unjust to consider Sitti Nurbaya as only another forced marriage story, as the marriage of Nurbaya and Samsu would have been accepted by society.
He instead writes that Sitti Nurbaya contrasts Western and traditional views of marriage, criticising the traditionally accepted. Reception Rusli's family was not pleased with the novel; his father condemned him in a letter, as a result of which Rusli never returned to Padang. His later novel, (1958) was even more critical of older generation's inflexibility.Until at least 1930, Sitti Nurbaya was one of Balai Pustaka's most popular works, often being borrowed from. After, Sitti Nurbaya was taught as a classic of Indonesian literature; this has led to it being 'read more often in brief synopsis than as an original text by generation after generation of Indonesian high school students'. As of 2008, it has seen 44 printings.Sitti Nurbaya is generally considered one of the most important works of Indonesian literature, with its love story being compared to 's and the Chinese legend of the. Some Western critics, including Dutch critic and writer A.
Johns, consider it to be the first true Indonesian novel, as opposed to, which was less developed in its theme of forced marriage and the negative aspects of adat.Teeuw wrote that the moral messages and sentimentality in Sitti Nurbaya are overdone, similar to Azab dan Sengsara. However, he considers the plot of Sitti Nurbaya more interesting for a reader from a Western background than the older novel.Siregar wrote that Rusli 'in many things acts as a dalang', or, occasionally removing the characters in order to speak directly to the reader, making the message too one-sided. He considered the plot to be forced in places, as if the author were preventing the story from flowing naturally.
He considered Rusli a of the Dutch colonial government, who had controlled Indonesia since the early 17th century, for making Samsul, 'the most sympathetic character', a member of the Dutch forces and Datuk Meringgih, 'the most antipathetic character', the leader of Indonesian revolutionary forces, as well as for Rusli's antipathy to in the novel.Sitti Nurbaya inspired numerous authors, including, who stated that he wrote ( What Am I to Do Because I Am a Girl, 1924) as a direct result of reading it; Iskandar later wrote ( Love that Brings Death, 1926), which deals with the same themes. The Sitti Nurbaya storyline has often been reused, to the point that Balfas has referred to similar plots as following 'the ' Sitti Nurbaya ' formula'. Adaptations Sitti Nurbaya has been translated into numerous languages, including in 1963. It has been adapted into a (soap opera) twice. The first, in 1991, was directed by, and starred Novia Kolopaking in the leading role, Gusti Randa as Samsulbahri, and as Datuk Meringgih. The second, starting in December 2004, was produced by MD Entertainment and broadcast on. Directed by Encep Masduki and starring Nia Ramadhani as the title character, Ser Yozha Reza as Samsulbahri, and Anwar Fuady as Datuk Meringgih, the series introduced a new character as a competitor for Samsul's affections.In 2009, Sitti Nurbaya was one of eight classics of Indonesian literature chosen by to be reprinted in a special Indonesian Cultural Heritage Series edition; Sitti Nurbaya featured a West Sumatran-style woven cloth cover.
Actress was chosen as its celebrity icon. Notes Explanatory notes.
'Modern Indonesian Literature in Brief'. In Brakel, L. Handbook of Orientalistics.
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Eneste, Pamusuk (2001). Bibliography of Indonesian Literature (in Indonesian).
Magelang, Indonesia: Yayasan Indonesiatera. Retrieved 13 August 2011. Foulcher, Keith (2002).
'Dissolving into the Elsewhere: Mimicry and ambivalence in Marah Roesli's 'Sitti Noerbaja '. In Foulcher, Keith; Day, Tony (eds.). Leiden: KITLV Press. Retrieved 11 August 2011. Mahayana, Maman S.; Sofyan, Oyon; Dian, Achmad (2007). Summaries and Commentary on Modern Indonesian Novels (in Indonesian). Jakarta: Grasindo.
Jadwal Film Siti Nurbaya Di Tvri
Retrieved 13 August 2011. Rusli, Marah (2008) 1922.
Sitti Nurbaya: Unrealized Love. Jakarta: Balai Pustaka. Retrieved 13 August 2011. Siregar, Bakri (1964). History of Indonesian Literature. Jakarta: Akademi Sastera dan Bahasa 'Multatuli'. Teeuw, A.
New Indonesian Literature (in Indonesian). Ende: Nusa Indah.Online sources. Febrina, Anissa S. (31 August 2009). The Jakarta Post.
Retrieved 14 August 2011. The Jakarta Post. 15 June 2009. Retrieved 14 August 2011. The New Version of Sitti Nurbaya will be Broadcast on Trans TV. KapanLagi.com (in Indonesian).
Retrieved 14 August 2011. Trans TV Auditions for 'Siti Nurbaya'. KapanLagi.com (in Indonesian). Retrieved 14 August 2011.
Veda, Titania (12 June 2009). The Jakarta Globe.
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